Mainstream Disco Funk: Double Vinyl LPWWSLP66
Pre-Order Item. Release Date Subject to Change.
Release Date: 24th February
Not 'mainstream' mainstream disco funk, rather Mainstream the New York label that specialised in putting out white-hot jazz from s***-hot players and then disco funk and soul from that same calibre. Ironic, consider their name they never had the huge hits but those who know, know these songs HIT. WeWantSounds pull together some of the labels most irresistible slabs of funk, disco and breaks so hard that you'll be tempted to purchase a sampler and lay beats.
For those who dig: if you're into rare disco, funk and soul you'll NEED this record and if you're into the more well known players from disco funk and soul you'll LOVE this record.
RARE DISCO BRAKES FROM BY BOB SHAD'S MAINSTREAM RECORDS IN NEW YORK RELEASED BETWEEN 1974 AND 1976. REISSUED ON VINYL FOR THE FIRST TIME SINCE THE 70S, REMASTERED FOR VINYL WITH LINER NOTES BY CHARLES WARING
In the mid-70s, Bob Shad’s cult New York Jazz label Mainstream Records turned to the burgeoning underground Disco scene and released a handful of great singles produced by the likes of Tommy Stewart, Jimmy Roach or Bert DeCoteaux. Featuring artists from the early Disco hotbed including South Side Coalition, Chocolate Syrup and Three Ounces of Love, these singles, proving Shad's great flair, accompanied the rise of the New York club and block party culture that was going to revolutionise the musical landscape a few years later. Most of the singles are officially reissued here on vinyl for the first time, with Three Ounces of Love's "Disco Man" full mix previously unissued on vinyl. Remastered by Colorsound Studio in Paris, with liner notes by Charles Waring and artwork by Thomas C. Bradley.
Funk and Soul in the early 70s were mutating to a new sound spearheaded by such labels as Philadelphia International Records (PIR), Scepter and Salsoul: Early Disco was taking off and Its sound was earthier and more urban, mixing the nascent Disco beat with strong funk and soul elements. New York was at the epicentre of the phenomenon, thanks to its thriving club scene and also to a new wave of DJs from the Bronx who started playing the music at block parties along with James Brown and Mandrill. bubbling under was a cohort of small independent labels that released some great music on 7" singles to meet the growing demand. Industry veteran Bob Shad and his label Mainstream Records started investigating this new scene and asked his circle of independent producers to bring him their latest production for release. For the occasion, he set up two sub labels, IX Chains and Brown Dog.
Among the producers who'd heard Shad's call were Tommy Stewart who came up with The South Side Coalition's funky '(Don't You Wanna) Get Down Get Down' in 1975 and Prophecy's 'What Ever's Your Sign' a year later. Seasoned arranger/producer Bert DeCoteaux (Patti Austin, Maxine Brown, The Main Ingredient) brought Lenny Welch's soulful 'A Hundred Pounds of Pain' and the superb mid-tempo instrumental 'Nothing Between Us' by The Electric Ladies. Arranger Jimmy Roach came with his latest single with The Dramatics ('No Rebate on Love') whom he'd worked with at Volt and with Three Ounces of Love on their aptly titled single 'Disco Man,' whose unissued long version merging Side 1 and 2 is released here on vinyl for the first time. The sister group would go on to sign with Motown in 1978 and release their sole album self-titled 'Three Ounces of Love.'
Other highlights on 'Mainstream Disco Funk' include The Grand Jury's 'Music is Fun To Me' with its languid funky rhythm arranged by Ted Bodnar, a producer and studio engineer who'd work with Sir Joe Quarterman, Blair and Al Johnson. Also featured on the set is Crystal Image's superb 'Gonna Have a Good Time (part 1 & 2) which typifies the blend of urban funk, glitzy strings and metronomic beat that were signature elements of early Disco.
The style would keep getting more commercial over the years and reach overkill in the late 70s but the block party scene which more than embraced this breakbeat-filled genre would soon morph into hip hop in the second half of the 70s with the help of a few key industry figures such as Sylvia Robinson (Sugar Hill Records). By that time, Bob Shad had ceased releasing records and relocated in Los Angeles but he left behind a small treasure trove of superb obscure singles which are now making their LP debut on 'Mainstream Disco Funk' for the delight of all funk and disco lovers.
1. The Grand Jury - Music Is Fun To Me (Inst)
2. The Grand Jury - Music Is Fun To Me (Voc)
3. South Side Coalition - (Don't You Wanna) Get Down
4. Chocolate Syrup - We've Got To Get Together
5. Three Ounces of Love - Disco Man Part 1 & 2
6. Crystal Image - Gonna Have A Good Time (inst)
7. Crystal Image - Gonna Have A Good Time (Voc)
8. Lenny Welch - A Hundred Pounds of Pain
9. Prophecy - What Ever's Your Sign Pt 1
10. Prophecy - What Ever's Your Sign Pt 2
11. The Dramatics - No Rebate On Love
12. The Electric Ladies - Nothing Between Us