DEMO 1

Pre-Order Item. Release Date Subject to Change.
Label: Dais Records
Release Date: 12th December

There's a part of me that truly believes that any record of the length of 29 minutes is a little indulgent... you're not Swans, pal. Much of the time I'm after a short sharp hit of garage punk and power pop with some scuzz and some lofi synths. 'DEMO 1' is 26 minutes of tight indie punk, motorik drum machines and all done with a snarling romance.

Begging Dogis the indie punk project of Los Angeles-based artistJeff Kleinman. An outlet for his work outside of the band Choir Boy, Begging Dog finds Kleinman embracing a raw, homespun sound with nods to garage punk and plain language lyricism.DEMO 1is 26 minutes packed with rolling bass and synth lines, charismatic riffs, and motorik drum beats. Lyrically, the songs feature a range of lived-in observations, scenes, and characters: a pushy union rep; a mailman with a steady federal job; a compulsive gambler; a beloved neighbourhood homeless man. Ex-loves become collaged together, haunting several tracks, out of context, with blunt, sharp-witted free verse. Kleinman cites Bruce Springsteen as an inspiration in how his songs are penned with plain ink, opting for direct simplicity over flowery prose. He taps into a shared loneliness, both universal and perhaps especially unique to living in Los Angeles, with no-frills nuance and vulnerability. On the title track, Kleinman sings, “no one loves a begging dog,” in a line borrowed from a friend that embodies the project’s point of view: the world can make you feel like a begging dog in search of affection and security, but there is beauty in solitude and the buzzing monotony of it all. The synth-laced “Laughing Boy” contemplates the meaning of life, decrying high rent while noting the scent of jasmine trees in the same breath as the jarring police presence. On “Common Place”, surrounded by urgent drum machine kicks and distortion, he sings about feeling truly alive at a 7-Eleven downtown, then darts between a tragedy he witnessed at a park and fond memories of living communally in Salt Lake City, before declaring his new mantra: “It’s over.” The contrasts here are what make these songs human.