Spantaneous Music Live

Label: International Anthem
Release Date: 26th June

There are live records where bands bash out the hits, capture the energy of the crowd and maybe take a beloved live track for an extended walk around the block. Then there are live albums like 'Spontaneous Music Live' with International Anthem's experimental supergroup of Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum, and Gregory Uhlmann who never offer the same exact experience twice, instead they improvise and create a new electronic jazz snowflake each time. It's very much in the spirit of the free-jazz work of Miles Davis and the captured futuristic chaos of Can's live recording in the 70s. 

SML is a Los Angeles based quintet featuring Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum, and Gregory Uhlmann.

Spontaneous Music Live contains two side-length pieces of unedited improvisation, recorded live at Los Angeles venue Zebulon during SML's December 2025 three-night residency, just weeks after the release of the band's second album HOW YOU BEEN. It was recorded and mixed live to stereo tape by Bryce Gonzales (the same engineer/wizard known for his gorgeous live captures/mixes of Jeff Parker's ETA IVtet).

Between HOW YOU BEEN and their 2024 debut SMALL MEDIUM LARGE (both of which were heavily edited, shaped and post-produced) the band has developed a reputation for records that are heavily fused, polished, and punchy. The medium is on full post-modern display on those LPs, and the band’s post-production knife can be responsible for much of the perspective—the tastiest morsels collected, arranged, and rearranged just so.

But the source material from both those albums were live recordings. Longform, unwieldy, ebbing and flowing. On top of that, every performance the band has ever done has been fully improvised in that spirit. So in the sphere of live performance the band’s esteem has grown down a different path—one of linear, hypnotic, expansion. It’s a perceived split persona shared by some of SML’s most inspiring conceptual bedfellows: compare the extended madness of Can’s Live in Paris 1973 to the relative tight form of Future Days from the same year; the speed-funk chaos of Miles Davis’ Dark Magus to the heavily deconstructed On The Corner or Big Fun.

Spontaneous Music Live removes the curatorial perspective and pulls the curtain back on that search-pluck-reconstruct editing process. What we’re left with is the psychedelic realism of the band in situ, in their home town, collectively improvising, fully in-the-moment, mining for that moment of discovery. We hear, in macro, each nugget of sound which could be the basis for a future SML album track, spattered amongst the collective chaos-and-control like stars in the night sky.

TRACKLIST:
1.    The Drums (Live)
2.    Roundabouts (Live)